Application and Practice of Interface Design in the Production of Advertisement Brochure
In the whirlwind of art and technology at the turn of the century, while the richly decorated Victorian style has taken the moon's shadow from afar, the ever-prospering garden of innovation has given birth to a new warm green tree, its majestic canopy. That's what we're going to talk about this morning - the interface design in the brochure.
"Design," the word, is both disciplined and provocative to subvert everything. In the modern process chain of brochure production and distribution, "design" is more like the compass of the star traveler, and is not limited only to the collocation of colors, the choice of fonts, or the arrangement of typography. Interface design, that is a kind of ability, a kind of ability beyond the paper, directly touch the reader's mind. At this fork of the road, light and darkness are on the line, soft and determined choices are a blessing and challenge for artists.
Just imagine, in the opening moment of the brochure, what can make a person eye-catching thing, is it the sharp life picture, is it the shock industry data, or push like a mountain of advertising words? Answer. Yes. All. No. Yes. Only design can shine like snow, because design is omnipotent, it can let the silent emotion can be released, so that the need buried deep in the reader's heart can be awakened.
A good interface design needs to have layers, logic, and narration. At first, you may see the brilliant art of color coordination, elegant tweaking and arrangement of fonts, poetic white space and filling, contrasting and similar colors, and telling a story around a theme. Then, you may receive information cues to guide you to the flow of your eyes, with elaborate layouts, graphic harmony, and guidance everywhere.
We should actively explore and practice unknown possibilities. Although the commercial rules of advertising are too onerous, designers should not be tied down. We can use known knowledge of graphics, colorology, psychology, and culture to innovate unconventionally. Try and error, anchor the chain of industry trends, and break it, because we know that only a better user experience can lead to success.
Finally, let's discuss the key design parameter, the user experience. Design isn't just about being colorful, it needs to be pragmatic. We need to hone our design over and over so that it can be optimized according to the needs, habits and preferences of the target user group to maximize the spread and appeal of advertising.
All in all, the essence of advertising is "connectivity", and interface design is its bridge. Excellent interface design can not only give readers a pleasant visual enjoyment, but also enhance the advertising effect and readers' attention. It is like the magic of modernity, cohesive with the force of inevitability on each brochure paper, leading us on the road ahead to the Utopia of design.
In this way, advertisingBrochure ProductionThe interface design is gorgeous, unique, full of modern feeling, and rich in depth, with real practical value.
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